/* The separated version — served at /separated.
   Same invitation, same words, same art. The only difference is how one room meets the next:
   here each room simply begins and ends on its own flat colour, with a clean edge. No colour
   blends, no torn paper, no dissolve. This sheet is loaded after v4.css and only on that page,
   so it overrides the joins and leaves everything else alone. */

/* 1 · The colour blends between rooms. */
.blend{display:none}

/* 2 · The cover's foot: the maroon no longer rises through the painting, and the painting is
   no longer dissolved away — the scenery simply ends where the cover ends. */
.cover-blend{display:none}
.cover-landscape img{-webkit-mask-image:none;mask-image:none}

/* 3 · The announcement's painting starts at the room's own top edge. */
.dusk-art{-webkit-mask-image:none;mask-image:none}

/* 4 · The itinerary's paper grain runs to the room's edge instead of fading out. */
.room-itinerary::before{-webkit-mask-image:none;mask-image:none}

/* 5 · Anand: the morning sky no longer ramps in from the room above. */
.haze-frame::after{display:none}

/* 6 · Reception & Sufi Night: one flat colour, edge to edge. The two gradients that faded its
   ground in and out belong to the blended version, and the owner asked for the jewel washes
   inside the colour to go as well — the only light in the room now comes from its lanterns. */
.room-sufi{background-image:none}

/* 7 · Rooms kept extra top padding to hold a blend that is no longer there. Give them their
   ordinary room spacing back so the clean edges do not read as empty bands. */
.room-gulab,.room-shagna,.room-sufi,.room-closing.closing{padding-top:var(--room-top)}
/* …except the reception below laptop width, where the lanterns hang across the room's head and
   need that band. Without this line the reset above would flatten it. */
@media(max-width:850px){.room-sufi{padding-top:calc(var(--room-top) + 132px)}}
.dawn-band{padding-top:clamp(96px,14vw,170px)}
.room-announcement{padding-top:clamp(96px,13vw,150px)}